“Dear Jenny, I do love you… “

This was written in June 2004 and posted in  September 2011. I read it and was almost moved to tears by the sentence beginning “Dear Jenny, I do love you…” I feel like a very different person, looking at Jenny, and being able to accept everything, everything, seeing her as worthwhile.

Rough day yesterday.  A lot of fear & sense of alienation from my life.  A beautiful day but I wasn’t really present to it, etc.  A lot of pain about the ecological crisis, letter from Barbara Kingsolver about the animal species headed for extinction, the potential disaster of global warming — and feeling bad again about my house, so unsustainably built — It occurred to me this morning that my house is like me — a mixed bag of creativity and health and disfunction.  I can love it, even tho it’s not “perfect” — I can even love its “imperfection” as I love the battered and starved baby just as she is.  Can I love myself too, love my mistakes and unconsciousness?  I feel a softening, tears coming.  Dear Jenny, I do love you, I love your brilliances and your mistakes, your creativity and your inhibitions, your passion and your blindness — you are doing the best you can with a truly difficult set of factors.

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1996: Tangle of Fear and Grief and Anger

From my journal for April 24, 1996

Driving over to Danville, Lynelle asked how I was doing, and I said I had been anxious until I got to the underlying sadness.  When I can feel the sadness, the anxiety goes away.  She asked if it was anything specific and I said it was feeling bad for Dana that he had got stuck with me.  The tears well up as I write that, as they did in the car, but I see now that I’m sad for Dana, but not for myself.  What I feel toward myself is anger that I’m such a failure, unable to love him back in the way he deserves, unable even to relax and open and let him love me in the way that he wants to.  The pain of that is so great, that I mostly don’t let myself feel it, I’m afraid I would die of the feeling, or that it would go on forever.  So there we have fear and grief and anger all tied up in a big tangle, and the anger is directed at myself for being a failure rather than outward toward the parents who failed me and damaged me.  Well, I don’t know what to do with that.  I’m caught in the same bind that Lynelle is, I’m angry at the part of me that’s damaged as though it were a moral failure instead, as though I could have done better and am perversely refusing to.

So painful. I’ve heard so many other people say similar things: can’t let myself feel it, afraid I would die from the pain, it’s my fault not my parents abusing me. But I remember that at first, when I was a child, I thought I was defective, and that everything that went wrong was my fault. I didn’t understand that I was wounded until I was 42 years old, when the Children of Alcoholic information came out. I still had a number of years to go before I understood that my inability to have sex with my husband was due to early trauma and not to some choice of mine.

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1996: Need to Deal with Damage to the Foundation

From my journal for April 17, 1996

I’ve been thinking how out of touch I feel with that experience of spaciousness I had last year.  It’s as though it happened to a different person.  I feel like I’ve had all these experiences, many of them wonderful, and very solid feeling at the time, but somehow they haven’t stuck, I haven’t integrated them into who I am.  It’s like I captured them briefly in a net and then they dissolved and disappeared.

Reading the books on infancy does suggest that most of my recent experience is related to infancy, somehow I’ve lost contact with the more adult parts of myself — like that notion of the descent of Inanna, leaving all her adult coping strategies behind as she goes down into the most ancient wounded place.  I had a different image — I saw myself as though engaged in a task of assembling something and one of the first steps had been done wrong.  Therefore, the whole thing had to be dismantled, painstakingly, so I could readjust the pieces of the foundation.  I see myself setting aside “spaciousness” and “creativity” and other pieces as I work my way down to the bottom.  When I finally get the bottom “put together right” will I then be able to reclaim all the other pieces?  It’s an interesting analogy/paradigm for the functioning of psyche, but it is accurate?

I’d been reading books by D.W.Winnicott and Daniel Stern. Lots of interesting ideas about the psychological dynamics of mothers and babies. I think my intuition is right on, that there’s something important right at the beginning of my life, “one of the first steps had been done wrong.” Yes, I was traumatized before the age of three which is when the brain matures. That means that my brain matured under the influence of trauma. There is no actual term for this kind of early trauma.  Bessel van der Kolk proposed a diagnosis of DTD — Developmental Trauma Disorder, for children traumatized before the age of three. But so far the people in charge of the Diagnostic Categories have only allowed CPTSD — Complex Post-Traumatic Stress Disorder — which covers a number of different conditions.

Yes, I had to actually go back and deal with the foundations, with the consequences of that early trauma, before I could begin to heal from my childhood. The work with Erica, a specialist in trauma and attachment — my earliest relationship with my mother —has finally helped me get down to the bottom.

I love that my scientist asks of my idea “Is it accurate?” I had no way to know until I understood about the early trauma.

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1995: I Want to Feel that My Life has Meaning

From my journal for September 19, 1995

Last night I decided that I wasn’t going to fight my depression because there’s a way in which it feels restful. …  I see that what I want is not to be happy, or to accomplish certain projects like the dollhouse and the teal dress, or even enjoy working on such projects — which look pretty minimal and meaningless in the grey light of my depression — what I want is to feel that my life has meaning.  If I felt connected to the meaning of my life, doing or not doing projects would fall into place: I would either find motivation for doing them, or be easy with myself when I couldn’t do them.

“Finding motivation for doing a project and being comfortable with myself when I don’t have motivation.” This is exactly why doing the blog is perfect for me now. Do I feel that my life has meaning? I think Neskaya is the biggest part of it, but the blog feels meaningful too.

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1995: Menopause Questions

From my journal for September 12, 1995

I was wondering if I’m doing the part of menopause that involves letting go of worldly accomplishments.  I see that I have been trying to push myself to be creative, imagining that I could make up for the lost years.  But I can’t, and I need to accept that.  I would be in a very different place, artistically, I would have learned a lot of skills, developed themes, markets, audiences, collaborators…   who knows what I might have done.

September 14

I have been feeling apprehensive about my health, and in fact the feeling that my life is meaningless resembles what I would imagine I would feel if I were diagnosed with a fatal illness — if I had six weeks to live, what’s the point of typing journal?  thinking about books to be written? seasonal pageants?  I’d probably continue to write in here, and walk the dog and do yoga, in an effort to reduce stress and keep my mind clear.  I don’t know what else I’d do.  Long term projects would vanish, and I’d be asking what is most important to me? just as I am now.

O yes, I don’t know if I ever managed to write out specifically my thought that this particular menopause crisis is about letting go of those long-term projects.  Long-term projects belong to an earlier time of life, when one can count on having energy and time to carry them out.  And the idea of a “career,” of a natural progression that peaks at some point, of a coherent body of work, I see that I’ve been trying to reclaim that expectation and it doesn’t make sense.  I see that I don’t have to give up my long term projects, but I do have to give up any expectation of ever finishing them.  Long term projects have to be of the sort that’s like the dollhouse, where the process itself is fun to do, where it can be laid aside for long periods of time and picked up again, where the ability to do it doesn’t not depend on being able to build momentum.    Reading through July was painful because of the number of projects that I was working on that are now in limbo.  I haven’t painted the doll house in weeks, more than a month, I think.  The teal rayon dress stopped with the bodice sewn together.  I haven’t drawn or painted, I haven’t even been writing Nika’s morning pages.  That all seems like another life.  And the “five books” — that project belongs to another person.  It astonishes me to think that I still have, somewhere, the packets I intended to send to publishers last February.  It now seems like there’s no point in that at all.

I never finished the teal rayon dress, don’t remember what I did with the doll house — I think I put it down in the woods, somewhere near the trail.  I haven’t even mentioned Neskaya, a long-term project, that won’t actually start until a year from now, and is certainly a critical part of my vocation.

What happened to the “five books” project is that it ended when I discovered that my motive was to “prove that I deserve to live, even though my parents were disappointed in me.” I never actually wrote that in my journal, all I wrote was about the loss of the project.  I completely forgot that I made up “packets to send to publishers.” So astonishing to revisit this critical part of my life and see what I actually wrote. Makes me wonder what else is missing.

Interestingly, this blog, not even envisioned at that time, turns out to be exactly the right thing for me to be doing. It doesn’t take a lot of energy, I only have to do it when I want to, have energy, have a topic. And there’s lots of raw material!

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1995: Struggling with Health, Noise, Confusion

From my journal for September 11, 1995

I want to write about my odd feeling yesterday and today.  I’m sure it’s at least partly the cold that makes me feel thick-headed and dazed, partly Dana being away that makes me feel lost and precarious, the bottom dropped out.  Then there was the frustration of seeing the beautiful day and not being really part of it (except for a short while while dancing outdoors — when a flock of birds flew over us and I had that sense of oneness of all things) and the fear of the airplanes.  I suppose all of that could account for my sense of being in some bizarre place, a collage whose pieces don’t fit — perhaps the walls are breaking down between the worlds: the world of beauty and the world of horror.  Perhaps I should say: the world of natural beauty and the world of human horror. 

This reminds me a little of the spring feeling of being “rent and torn,” but it’s different now.  That, I think, felt more like being torn in half, or down the middle, there seemed to be two parts or two layers, and they were contrasting: cold and warm, bright and dark.  This feels more complex, there are still the tearing contrasts, but there seem to be more layers.  I have a sense of death being ready to pounce.  I think this is how I might feel if I had a fatal illness, the familiar world seems very strange and fleeting, as though I had never seen it before and will never see it again.      And I recognize, as I write, that in the equation are human beauty and love, human loss and pain: there’s the joy of our dancing, of preserving these dances (I told them of the joy of the peasant women as they emerged from the tunnel), there’s my love for Dana, and my failure to give it sexual expression, and my sense of loss that he’s so far away.  I’ve been reading The White Witch, which describes the non-sexual love between Froniga and Yoben, and makes it clear how strong their love is that is capable of flourishing even though that powerful instinct is denied.

My failure to be sexual with my husband was because of the early trauma. When I get excited — or angry or afraid — my system starts to rouse to be sexual, or fight or run away, and then goes into freeze. At this point I have no idea that this is what’s happening.

I showed a video of peasant women doing a folk dance. They form two lines, hold hands across and raise their arms to make a tunnel, and then each comes through the tunnel, opening her arms to the sky with joy as she comes out.

The White Witch is a novel by Elizabeth Goudge. Froniga is the witch, she is half Gypsy and uses herbs and psychic powers for healing. Yoben is a Catholic priest who was tortured and became a Gypsy as a disguise.

Here I’m talking about the airplanes whose noise gives me a very hard time:

There’s nothing I can do to make it stop.  It just hurts so much, and it doesn’t quit and there’s nothing I can do, and no one who really understands.  I was typing at the computer when the last one came over and I just put my head down on my arms and started crying.  I’ve been sobbing hysterically while writing this and praying to god to please help me, but of course nothing changes.  Actually I guess such prayer is really re-stimulating because it’s too much like asking Mom & Dad to stop hurting me.  I have a bunch of things to write about the parallels between the planes & my alcoholic parents, but I feel too hopeless to bother.  It would be very much easier to be dead.

Feeling completely broken.  I did manage to walk the dog, using the walkman to listen to Maki’s Russian tape.  I didn’t enjoy the walk, just did it for the dog.  I was reading the print out of July but it sounds like someone else’s life, the life of someone who’s dead.  All those creative projects, never to be finished now.  Nothing means anything.

I’m cooking beans and almonds — I had a cup of tea and a cheese sandwich earlier in a spirit of angry rebellion — I’ve worked so goddam hard, years in therapy, all my discipline around diet, and nothing to show for it, I still can’t deal with the airplanes, can’t begin to describe the pain they cause me, can’t understand why I fall apart so badly, don’t see any point in going on — all this work and I still don’t have any life.

O yes, something about seeing how much attachment I have to getting something done, “keeping it together,” going on with my life, “taking care of myself,” refusing to break down — in this respect I am my mother’s daughter.

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1996: Description of Trauma before I Understood that I had been Traumatized

From my journal for March 1996.  Eleanor is my friend who was badly abused in her family of origin. She was herself dealing with PTSD, and kept trying to convince me that I was too. At that time, I thought trauma was caused by violence, I didn’t know about its dependence on the ability of the organism to process the event. My parents were alcoholics, but they weren’t violent.

Eleanor said she thought I was much better now than when she first met me.  She said that I used to just stay upstairs, I didn’t go out, I dressed in miserable clothes.  She said she was shocked by the state of our house when she first met us: no proper bathroom, no windows.  She said I didn’t have the capacity to make a home, but now I do.  I said that was all external stuff, she agreed but said it reflected my internal state.  She said when she first met me she could see that I was depressed, but that I was very defended, she says now I’m much more open and vulnerable.  I said that was probably true and as a result I was much more scared.  Eleanor said terror was better than depression because it moves.  She reminded me that when she first met me I was immobilized by the depression to the extent that I wasn’t doing anything for myself: no therapy, no workshops, none of the stuff I’m doing now.  (In fact I think it was Eleanor who told me about Kripalu, gave me a catalog.  I know it was Eleanor who dialed Debbie Alicen and handed me the phone.)  Eleanor said Dana said I was much worse in the black cloud/candida days, before she even met me.  I checked with Dana, he said I was sick all the time, couldn’t walk farther than Gaudette’s, was struggling with brain fog.  I’ve been feeling that the 1984 depression was a piece of cake compared to this one, that I had to go back to 1970 for something as bad, but perhaps I’m wrong.  It sounds like I’m much more conscious now, in 1984 I was deep in denial.  Well of course, that was the beginning of the Children of Alcoholic stuff.  Before that, I had no way to understand my misery except by seeing myself as inherently defective, lacking in will power, “wanting to be miserable.”

Debbie Alicen was a therapist I saw for a while.  Gaudette was a family who had a house partway down a road across from our house.

Another time we were walking with the dog and Eleanor talked about how she saw life, about how wonderful and sacred it was, how that was why she didn’t kill herself, because she could see that life itself was so precious even when her own life was so painful.  I didn’t say so, but I envy her.  I wish I had such a vision/ knowledge/ experience of life.  I think sometimes when I’m in my objective scientist mode I can see “life” as something enormous, mysterious and magical; I think of the time when I was returning from the Observatory at Wellesley and suddenly became aware of the uniqueness, complexity and preciousness of trees in contrast to the simplicity of stars.  A star is easy to make, it’s just a ball of gas.  A tree requires a long and complex process.  (This makes me think of Dana saying that he sees the physical world as just the tip of the iceberg.  I’m continually feeling trapped in the physical world, as though it were all there is.)  I have all the lovely images from Chaos Theory and Complexity and the plasma theory of creation, and there was a time when these ideas helped me imagine a universe I could feel at home in.

But I don’t feel that way now.  I don’t have that sense of reverence for “life” that Eleanor has.  What keeps me from committing suicide is the fact that Dana would be very unhappy.  So how do I see “life”?  I imagine this huge machine, something like a steam roller, a garbage compactor, a chipper.  It rolls over me without concern for my uniqueness or individuality.  First it flattens me, then it chews me up and spits me out, all mangled.  It gives me assignments that I can’t fulfill: I’m to be independent, strong, I have to take care of myself, I mustn’t bother anyone, but I’m supposed to enjoy and appreciate and be grateful for whatever happens to me.  That sounds pretty awful, and it also sounds like what mother did to me, on both the emotional level (when she flattened me, chewed me up, spit me out deformed into whatever mirror image her narcissism demanded) and the practical level, where I was given many messages that I had to take care of myself and not bother the adults.  She was my first experience of life.

Still, I think Eleanor’s first experience was worse, so how does she get her sense of reverence for life?

Question never answered.

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Guidance

This was originally written in July 2005, and posted in April 2011. At that time I was still writing to my “Guides and Guardian Spirits.” I had some answers where they seemed to fall for my wrong idea that I had to help everybody who asked. So I didn’t write for guidance for a while. Then, when I started going to Quaker Meeting, and learned that Quakers taught about consulting an “Inner Teacher” who represented God, I began to write for guidance from “Inner Teacher.” I find this particular Guidance interesting enough to re-post:

Rupert Sheldrake and Matthew Fox in Natural Grace talk about the soul, how it’s like a field, centered on the body but bigger than the body — “the body is in the soul” — our souls overlap and interpenetrate so that what happens in one affects all the others — which validates my idea that my work on myself affects the human energy field.  Perhaps it’s also true that I’m working on more than my “own” stuff — part of why it’s been so hard and such a struggle is I’m fighting against, or fighting to transform, all the negativity that’s out there, the denied depression and despair and grief and fear.  If I knew that was true?  Well then at least I could feel that my life isn’t wasted, even tho I never got enough of the experiences — friendship, lovers, worthwhile tasks, fun, creativity — that would make life enjoyable.  I guess I have to let myself grieve for all that — hopefully so I can come back to a place of being grateful for what I do have and let go of the bitterness about what I didn’t get.

Dear Guides and Guardian Spirits, I’m feeling very sad about my wrecked life, about all the things I never got to do that would have brought satisfaction and pleasure, and that my chances of being able to widen my life to include more satisfaction and pleasure look very slim at the moment.
Dear Jenny, nine years ago, when you opened Neskaya, you were profoundly depressed and terrified.  You were afraid that you might not even be able to teach two hours of dance a week.  Since that time, you have tackled and succeeded with a number of things: all-day dances, workshops with British teachers, Dancing the Sacred Calendar, painting with Aviva Gold.  You tried a number of things which didn’t last for a variety of reasons.  You’ve made a lot of new friends.  Even tho people move away, new ones have come.  You have incorporated, applied for and got tax-exempt status and set up an endowment fund.  You have changed your investments to socially responsible ones, and built yourself a house.  You have made a positive contribution to the lives of many people: some you know, and others you don’t know about.  You got on medication, weathered a painful divorce, and have done major healing work with Somatic Experiencing.  This is all a tremendous achievement.  You have trouble seeing it because the amount of healing you have done has made it easier to see the empty places in your life, and to see how much work and confidence and support is needed to be able to do some of the things you want to do: the Winter Solstice Pageant for example.  You are seeing more clearly how badly you were damaged in childhood.  You also have many fears: when your ankles hurt, or your energy ebbs, or only a few people come to dance — that this is the beginning of the end, that whatever it is will not recover and come back.  You have suffered many losses, and haven’t had much chance to learn that things do return.  But they do: your ankles are fine now, your energy will come back, and people will always come to dance.  We suggest you use this low time to relax and rest, practice doing nothing, spend time with darkness and silence.  This will nourish your own life, and even as you nourish yourself, you also bring healing to the planet you love.  Rest on this dear Jenny.  For all the pain and misery in your life, you are not adding any pain to the world.  Even this is a tremendous achievement.  Let go, let down, be at peace, rest on the Everlasting Arms, they are there for you.  We love you, dear Jenny, and you are doing fine just as you are.

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1996: Imprisoned by an Idea

From my journal for January 28, 1996

Dana said something about “life moving in to fill every niche.”  It’s a lovely image, and it reminded me of what Beverly said about seeds wanting to grow — and I see the degree to which I’m imprisoned by the idea that if I don’t do something, nothing will happen.  Actually, it’s not as grandiose as that — obviously lots of things happen without my intervention from changing seasons to political elections.  I think what I mean/feel is that no positive change will happen in my life: I have no sense of a process that carries me, supports me, heals me, nourishes me, brings new and good things into my life.  Instead I feel like I’m always struggling against something that drains and debilitates me, that constant quicksand that I’m always trying to hold myself up out of.

I see the damage done by alcoholic parents who failed to support me, and expected me to do things, like take care of my younger siblings, that I was too young to know how to do. No wonder I feel so unsupported still. They never supported me, or encouraged me to ask for help. I remember once hearing them say “We were so smart to raise a baby-sitter before we raised a family.” I remember thinking, “Yes, and the “baby-sitter” went on to get a degree with honors from Wellesley.” So at least by that time I had learned that I was good for something more than baby-sitting.

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1996: Realize that I HAVE made a Contribution

From my journal for January 28, 1996

It’s possible that my life will make some sort of contribution to the world.  By participating in circle dance — keeping that going — by building Neskaya to support activities which would be part of a world that is greener and quieter — I’m like the proverbial butterfly flapping its wings.  Surely the F of H has made a small difference, I think of the woman who said it got her through the winter.  And Journey into Courage, I know, has made a difference in people’s lives, a difference in the direction of the kind of world I want to see.  I find, and this is a result of facing despair squarely, that it doesn’t much matter to me if that world comes to pass.  I certainly don’t expect it to happen in my lifetime. But even if it never happens, I feel satisfied (at this moment) with my contributions in that direction —   And I feel proud of my participation in Journey, and good about the video, even if it’s never a commercial success.  It’s still a good piece of work.  I feel that revealing myself in the interview — and letting it go into the final version — was a mistake for me personally, because I’m more emotionally vulnerable than I realized, but I don’t think it was a mistake for the integrity of the film.

The “proverbial butterfly” is the one that in chaos theory flaps its wings in Mexico and affects the weather in Montana three days later.

I asked Dana if I had made a difference to him, other than as a challenge which forced him to develop skills in relationship.  He said that in fact, the part of himself that he had to develop in order to deal with the difficulties of being in a relationship with me is the part that he values most greatly, more than Neskaya, more than the concertina project.

Dammit!  I see that I have made quite a difference and contributed a lot to the world.  Why then do I keep returning to the feeling that my life is worthless?  Because there’s nothing here that Mom & Dad would appreciate or praise, because I have grandiose and unreasonable expectations, because I devalue what I’ve done because the world isn’t “saved” yet?  At least at the moment, I feel satisfied with my life, feel that I don’t have to push myself to do anything more, feel that I will certainly continue to do the kinds of things that grow naturally out of who I am.

I keep returning to the feeling that my life is worthless because I’m disabled by the brain chemistry of severe depression, rooted in early trauma.  It will be a few years before I finally understand this.

Dana said that one of the things he gets from me is support for a certain kind of honesty that makes possible a degree of depth in relationship and in living, that he thinks he wouldn’t have gotten to without having me in his life.  That seems to me to be high praise, that I can see as something that means my life has value after all, despite the rest of the failures and poor health, etc.  What Dana said reminded me of the time Sybil said she’s becoming more honest in her life and it’s because of me.  Alice said something similar.

Reading this now, I think that I have made a contribution to the world.  No question that Neskaya and Journey into Courage are contributions. I’m very touched by reading that Dana feels he learned something of extreme value by struggling with such a difficult person to live with, and that he’s not the only one who’s learned from me to appreciate honesty. Given that truth is highly important to me, it’s comforting to see that some people who know me have learned to be more honest from me.

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